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    Justice League: Doom (Movie Review)

    Paeter
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    Justice League: Doom (Movie Review) Empty Justice League: Doom (Movie Review)

    Post  Paeter February 29th 2012, 8:49 pm

    I'm a big DC comics nerd, and although the DC direct to video animated movies got off to a bumpy "hit or miss" start with me, they soon seemed to iron out quality control and began putting out great features almost every time.

    Almost without exception, they've earned a "buy then try" mentality from me. So it should come as no surprise that bought the BluRay version of "Justice League: Doom" this week and watched it as soon as possible.

    The script is loosely based on a Justice League comic book story written by Mark Waid and titled "Tower Of Babel". In it, a villain gains access to secret files detailing foolproof methods of defeating each member of the Justice League. One by one the world's most powerful and iconic heroes are taken out like the trash with brutal efficiency.

    The same premise is used in "Justice League:Doom", although the Justice League characters involved are different, as well as the methods used to defeat them and the villains carrying out the evil plot. So whether you're familiar with the original comic book story or not, you'll find plenty of new territory being explored here. (Including a great reveal for those who never read "Tower Of Babel".)

    The animation is top notch, as I've come to expect from these releases. And the casting is a welcome return to the line-up of actors who voiced these characters in their previous animated TV show incarnations. Nathan Fillion also returns as Green Lantern Hal Jordan in a performance with much more charm and personality than he had room to express in "Green Lantern: Emerald Knights".

    The visual and auditory presentation is wonderful and any DC fan is likely to get a kick out of the experience.

    The script is of a less consistent quality, however. Although I affirm Dwayne McDuffie's immense value as a human being, and regret the pain his loved ones must still be feeling after his death last year, his creative work has been hit or miss with me. His writing on the Justice League animated series was fantastic and fit the stylistic mold of the show perfectly. His comic book writing in the DC Universe has been easily forgettable.

    The script for "Justice League: Doom" wanders back and forth between sophisticated and childish. Serious themes including suicide, guilt and betrayal are juxtaposed with cheesy villain lines (such as the chummy unison champagne toast of the villains: "To the Legion of Doom!") and glaringly unscientific moments (such as Superman talking in the vacuum of space, and rockets making the trip to the sun in about 90 seconds). Even most modern DC comic books don't come across as childish and ignorant.

    Perhaps these issues wouldn't be a problem if the script had been more consistently light and aimed at a younger audience. But standing next to the many serious and sobering moments and the generally grown-up tone of the story and visual style, they feel out of place.

    A major theme of this story that's worth talking about, is power and what happens when it is mixed with human nature. Should a force dedicated to good, like the Justice League or another real-world organization, be free to act without accountability? If not, who should have the power to stop them and who will keep THAT person accountable? The BluRay includes several interesting documentaries, one of which explores this theme.

    I think that this story serves as a great counter the the argument that people are "basically good". (If we ARE, then why do we feel the need to set up checks and balances for our leaders? Are they not "basically good" too?)

    I agonized over what final score I should give this movie. I think in the past I've been a little too kind in scoring these DC animated movies, since I am already a DC fan and assume that many who read my reviews may be also.

    For those people, this is a movie you should see and probably add to your collection. It plays somewhat like a darker version of the Justice League animated series and if entered into with that mentality, the lighter moments likely won't put you off.

    For everyone else who may just have a casual interest in the superhero genre, my final quality score aims to serve you more than Justice League fans. This one is an enjoyable flick, but you won't kick yourself later if you miss it.

    Rated PG-13 for sequences of violent action

    Quality: 7.5/10

    Relevance: 7.0/10

    For information about my scoring system, visit spiritblade.net/reviewscores
    Listen to this review this weekend at spiritblade.net/podcast


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    Drew.Rub
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    Post  Drew.Rub March 4th 2012, 12:34 am

    Thanks for the review. I saw it was available to view on Zune Marketplace via my Xbox 360, and wasn't sure if it was worth watching. I've enjoyed most DC animated movies to date, so didn't think I'd be disappointed in this one. I'll give it a watch soon.
    mindspike
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    Post  mindspike March 4th 2012, 1:43 am

    Drew, don't pay for this movie. Borrow my copy. Curtis and I screened it last night, and .... ::sigh::

    This was really nothing more than an extended episode of "The Super Friends". We think those cartoons are cheesy kids stuff from a perspective 30 years in the future, but at the time they were being created by that generation of comic fans for that generation of comic fans. This movie has the same silly premise and ludicrous execution that characterized both that show and a current trend of retro romanticizing as epitomized in Morrison's "All-Star Superman". At least "All-Star Superman" mixed farce with sentiment; don't believe the hype, "Doom" has nothing in common with Mark Waid's story except for the "reveal".

    Watching it was a frustrating and unsatisfying experience, we almost just stopped watching halfway through the !@#%& thing. I want more sophisticated storytelling, of the kind that screenwriter McDuffie proved so capable in "Static Shock", "Justice League Unlimited", "Ben 10", and "Crisis on Two Earths". There is no evidence of McDuffie's sense of pacing, plot, or character in this film.

    But there is a token black man who saves the day.

    Paeter was too kind in his review and ratings.


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